tiny orchestral moments continuous improvisation |
||||||||||||||||||||||||||||||||||||||||||
Mission | Products | Team | FAQ | Press Kit | Mailing List | Contact Us | ||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||
Tiny Orchestral Moments
is a series of residential workshops bringing together musicians from all over the globe to perform collaborative repertoire for layered guitars, voices, violins, winds, percussion and drums including structured improvisation that sounds composed, and composed collaboration that sounds improvised. We are actively preparing our story via a post-COVID 12-part documentary series, sharing stories and songs, the unique people, performances and processes of this gigantic geo & gender-diverse group of masterful musicians working to change the world one Tiny Moment at a time via music. The music is built on the bones of an orchestra of precise guitarists, members of Robert Fripp and the League of Crafty Guitarists also including the internationally-acclaimed California Guitar Trio and Argentina's Electric Gauchos, BigTime Trio and Japan's Zum. This gender-balanced orchestra is always joined by special guests such as prog Bass legend Julie Slick (Adrian Belew/EchoTest) and Seattle music legends Beth Fleenor and Amy Denio. TOM also features a dizzying array of internationally renowned specialists including LA-based violinist Nora Germain, New Zealand-based guitarist Nigel Gavin, and NY Composer, Patrick Grant. Performances Peak Week IV: Tiny Orchestral Moments Performance Wednesday August 28th 2019 @ Kirkland Performance Center ( details here ) If you find something resonant in this work, we invite you to DONATE to support these people and processes directly via PayPal: Donations are made through Seattle Circle, our non-profit arts umbrella organization which supports ongoing Tiny Orchestral Moments workshops, projects, people, performances and events. Workshops Building on four+ years of Tiny Orchestral Moments Peak Week residential workshops, TOM V Peak Week was held in the Seattle area on Sunday August 28th - Sunday September 3rd 2022. Peak Week 2022 as usual, featured an international array of collaborators including: Pat and Deborah Mastelotto (special guest 'wild cards') Electric Gauchos (Fernando Kabusacki, Steve Ball, Julie Slick) Zum Trio (Luciano Pietrafesa, Shinkuro Matsuura, Fumihito Hatano) Gitbox (Nigel Gavin) In addition, we hosted our returning professionals from the TOM core team including: Amy Denio (all known instruments + a few unknown) Oscar Mander (guitar, piano) Brad Hogg (guitar, bread, facilitation) Peak Week 2019 also featured an international array of collaborators including: California Guitar Trio (Paul Richards, Hideyo Moriya, Bert Lams) Bigtime Trio (Horacio Pozzo, Claudio Lafalce, Martin de Aguirre) Zum Trio (Luciano Pietrafesa, Shinkuro Matsuura, Fumihito Hatano) Gitbox (Nigel Gavin, Sonia Wilson) Electric Gauchos (Fernando Kabusacki, Fernando Samalea, Steve Ball, Alex Anthony Faide, Julie Slick) In addition, we hosted our returning professionals from the TOM core team including: Nora Germain (violin, voice, information movement) Amy Denio (all known instruments + a few unknown) Aileen Bunch (piano, voice) Carl Germain (guitar, live sound, recording) Brad Hogg (guitar, bread, facilitation) ...as well as a number of local and international special guests. Each year, we host special featured "wild card" guests including Petra Haden (2016) Janet Feder (2017) Beth Fleenor (2018) California Guitar Trio (2019) Pat and Deborah Mastelotto (2022) This year, our 2019 annual Peak Week event incorporate an inclusive workshop designed for beginners and anyone new to the TOM team embedded into the traditional week of TOM practices: initiation: introductions, orientation collaboration: group work, guided instruction improvisation: principles and practices writing: preparation for performance performance: presentation of our work recording: performance with the "red light" on reflection: learning and recapitulation productization: translation of this work into products application: completion to enable continuation + expansion Like previous years, events included focus on Continuous Improvisation applied to our interactions collaborations, writing, performing, recording, productization and monetization of our work together. And, as in previous years, the Tiny Moments captured in this Peak Week will be released in products: CD + streaming releases, videos and large and small format documentaries. Interested? More details are here. Workshop History quick glimpse of a previous Tiny Orchestral Moments workshop Bass Camp II: June 7-9 2019 in Seattle -- COMPLETED! Featuring masterful Bass, Guitar, Clarinet and Music Instructors from Italy, Philadelphia, Germany and Seattle including: Julie Slick, Marco Machera, Alessandro Inolti and Steve Ball. Also featuring Special Guest presenters: Beth Fleenor, Trey Gunn, Markus Reuter, Tony Levin and a number of other surprise guests. Some in person, some via remote connectivity. This year, the event includes integration into the SeaProg festival where TROOT, Trey Gunn & Markus Reuter , and EchoTest are each playing Friday, Saturday and Sunday night (respectively). The workshop included SeaProg show attendance as part of the tuition. More details are here. Tiny Orchestral Moments 2018 Indiegogo Campaign Completed Successfully! T H A N K Y O U to everyone who donated. If you missed your chance to DONATE to support the completion of our documentary series, you can also donate directly via PayPal These donations are made through Seattle Circle, our non-profit arts umbrella organization which supports ongoing Tiny Orchestral Moments workshops, projects, people, performances and events. Tiny Orchestral Moments: Documentary Trailer Watch on YouTube
TOM Peak
Week I |
2016 Musicians Special Guests Petra Haden (Los Angeles) Julie Slick (Philadelphia) Patrick Grant (NYC) Core Team Paul Richards (Los Angeles) Nora Germain (Los Angeles) Nigel Gavin (Auckland) Amy Denio (Seattle) Steve Ball (Seattle) Sonia Wilson (Paris) Carl Marti Germain (Seattle) Aileen Elizabeth Bunch (Philadelphia) Erin Victoria Wigger (Los Angeles) Seattle Guitar Circle Jaxie Binder Curt Golden Bob Williams Dean Jensen Chris Gibson Sandra Prow Lucius Gregory Meredith Bill Van Buren Rob Taylor-Manning Jane Mabry-Smith Studio Guests Trey Gunn (Warr guitar / bass / uke) Igor Abuladze (guitar / bass) Nathan Grigg (keyboards) Dan Moore (drums) Documentarians Steven Perilloux (Los Angeles) Louise Amandes (Seattle) Ron Austin (Seattle) Peter Dervin (Seattle) Aileen Bunch (Philadelphia) Steve Ball (Seattle) Chapel Engineer Christian Heilman London Bridge Engineers Geoff Ott (Thurs / Fri engineer) Shohei Ogami (Sat engineer) All TOM I tracks recorded Wed Aug 31st - Sat Sept 2nd, 2016 at London Bridge Studio, Seattle WA Mixed by Martin de Aguirre and Steve Ball Produced by Steve Ball
TOM Peak Week II |
2017 Musicians Special Guests Janet Feder (Denver) Julia Zenteno (Mexico City) Martin de Aguirre (Madrid) Core Team Paul Richards (Los Angeles) Nora Germain (Los Angeles) Nigel Gavin (Auckland) Amy Denio (Seattle) Alex Anthony Faide (Buenos Aires) Julie Slick (Philadelphia) Steve Ball (Seattle) Sonia Wilson (Paris) Carl Marti Germain (Seattle) Aileen Elizabeth Bunch (Philadelphia) Seattle Guitar Circle Jaxie Binder Curt Golden Bob Williams JT Milhoan Chris Gibson Sandra Prow Lucius Gregory Meredith Bill Van Buren Joel Palmer Jane Mabry-Smith Butter Boy Sofie Ball Studio Guests Nathan Grigg (keyboards) Dan Moore (drums) Louise Amandes (drums/percussion) Documentarians Louise Amandes (Seattle) Ron Austin (Seattle) JT Milhoan (Seattle) Ingrid Pape-Sheldon (Seattle) Frank Sheldon (Seattle) Peter Dervin (Seattle) Aileen Bunch (Philadelphia) Steve Ball (Seattle) Chapel Engineer Vance Galloway Bear Creek Engineers Jonathan Plum Taylor Carroll All TOM II tracks recorded Wed Aug 17th - Sat Aug 20th at Bear Creek Studio, Woodinville WA Mixed by Martin de Aguirre Produced by: Steve Ball
TOM Peak Week III |
2018 Musicians Special Guests Beth Fleenor (Seattle) Heather Bentley (Seattle) Oscar Mander (Stockholm) Core Team Paul Richards (Los Angeles) Nora Germain (Los Angeles) Nigel Gavin (Auckland) Amy Denio (Seattle) Alex Anthony Faide (Buenos Aires) Julie Slick (Philadelphia) Steve Ball (Seattle) Sonia Wilson (Paris) Carl Marti Germain (Seattle) Rachael Beaver (Seattle) Martin de Aguirre (Madrid) Aileen Elizabeth Bunch (Philadelphia) Brad Hogg (Los Angeles) Electric Gauchos Fernando Kabusacki (Buenos Aires) Fernando Samalea (Buenos Aires) Zum Luciano Pietrafesa (Mendoza) Shinkuro Matsuura (Osaka) Fumihito Hatano (Osaka) Seattle Guitar Circle Jaxie Binder Curt Golden Chris Gibson Lucius Gregory Meredith Bill Van Buren Studio Guests Nathan Grigg (keyboards) Igor Abuladze (bass) Documentarians Louise Amandes (Seattle) Cristos Kotsovos (Stanwood) Patrick Davis (Portland) Peter Dervin (Seattle) Aileen Bunch (Philadelphia) Steve Ball (Seattle) Ballard Homestead Engineer Carl Germain London Bridge Engineers Jonathan Plum Taylor Carroll SkyMuse Engineers Will LeMaster Ron Jones Master Connector Steve Turnidge All TOM III tracks recorded Mon Aug 25th - Sat Sept 1st 2018 at London Bridge, Seattle WA and SkyMuse, Stanwood WA Mixed by Martin de Aguirre and SkyMuse, Stanwood WA Mixed by Martin de Aguirre Produced by: Steve Ball
TOM Peak Week IV |
2019 Musicians Special Guests Jenny Founds (Philadelphia) Michelle Bliman (Buenos Aires) Thione Diop (Seattle via Senegal) California Guitar Trio Paul Richards (Los Angeles) Bert Lams (Brussels) Hideyo Moriya (Tokyo) Bigtime Horacio Pozzo (Buenos Aires) Martin de Aguirre (Madrid) Claudio Lafalce (Buenos Aires) Zum Luciano Pietrafesa (Mendoza) Shinkuro Matsuura (Osaka) Fumihito Hatano (Osaka) Electric Gauchos Fernando Kabusacki (Buenos Aires) Fernando Samalea (Buenos Aires) 2019 Core Team Beth Fleenor (Seattle) Alex Anthony Faide (Buenos Aires) Nigel Gavin (Auckland) Sonia Wilson (Paris) Oscar Mander (Stockholm) Julie Slick (Philadelphia) Steve Ball (Seattle) Nora Germain (Los Angeles) Carl Marti Germain (Seattle) Amy Denio (Seattle) Rachel Beaver (Seattle) Aileen Elizabeth Bunch (Philadelphia) Studio Guests Nathan Grigg (keyboards) Roy Beaver (keyboards) Sean Naughton (witness) Kenan Whoever (witness) Documentarians Louise Amandes (Seattle) Peter Dervin (Seattle) Aileen Bunch (Philadelphia) Steve Ball (Seattle) TOM Studio Engineers Carl Germain Martin de Aguirre Executive Producers Sandra Prow Bill Van Buren Steve Ball TOM IV Peak Week recorded Wed Aug 25th - Sat Aug 31st 2019 at Ronald House, Ronald WA and at Kirkland Performance Center Wed August 28th, 2019 Mixed by Martin de Aguirre Carl Germain Steve Ball Produced by Steve Ball |
TOM Peak Week V |
2022 Musicians Special Guests Deborah Mastelotto (Austin) Pat Mastelotto (Austin) Jenny Founds (Philadelphia) Zum Luciano Pietrafesa (Mendoza) Shinkuro Matsuura (Osaka) Fumihito Hatano (Osaka) Electric Gauchos Fernando Kabusacki (Buenos Aires) Horacio Pozzo (Buenos Aires) Julie Slick (Philadelphia) Steve Ball (Seattle) 2019 Core Team Nigel Gavin (Auckland) Amy Denio (Seattle) Oscar Mander (Stockholm) Studio Guests Kathy Moore (guitar, piano) Curt Golden (guitar) Jaxie Binder (guitar) Carl Germain (guitar) Nora Germain (violin, remote!) Nathan Grigg (keyboards, voice) Rachael Beaver (cello, voice) Roy Beaver (keyboards) Greg Meredith (guitar) Contributing Space Beth Fleenor (Seattle) Alex Anthony Faide (Seattle) Sonia Wilson (Paris) Aileen Bunch (Philadelphia) Sandra Prow (Seattle) Documentarians Louise Amandes (Seattle) Steve Ball (Seattle) TOM Studio Engineers Matt Brown Jay Follette Cosmo Executive Producers Bill Van Buren Steve Ball TOM V Peak Week recorded Wed Aug 31st - Fri Sep 2nd 2022 at Avast Studio, Seattle Mixed by Steve Ball Jonathan Plum Fernando Kabusacki Produced by Steve Ball WHO Meet the Team details here | ||||||||||||||||||||||||||||||||||||
WHY Tiny Orchestral FAQ | ||||||||||||||||||||||||||||||||||||||||||
Q: What is Tiny Orchestral
Moments? | 1. An open, public practice and performance
incubator for
music-based collaboration across geographies, genres, genders and
generations. 2. A living school designed to provide opportunities for aspiring performers, producers, leaders, instructors, masters, organizers and audiences to experience and practice the art of Continuous Improvisation. 3. A sustainable series of weekly, monthly, quarterly collaborative community workshops designed to bring Music to life via development and presentation of world-class, transformational performances, products, and performers. |
|||||||||||||||||||||||||||||||||||||||||
Q: Why is this work
important? | We must
invest in, discover, learn and practice effective techniques for
sustainable collaboration, cohabitation, integration and
harmonization, especially as the world around us appears to
disintegrate. We believe in and have directly experienced the power of Music to fuel, feed and foster connections across cultures and countries. We mix and match beginners with mentors and masters to develop harmonization skills across alleged differences that might otherwise separate us. |
|||||||||||||||||||||||||||||||||||||||||
Q: What is 'Continuous
Improvisation'? | One Answer: A necessary skill required for
transforming how we work, play and live together in harmony within a diverse, complex, global culture. Continuous Improvisation requires listening before speaking (or playing or acting), then application of intelligent, intentional, unconditioned skill in delivering whatever is required in the moment to enable exceptional, harmonious and energizing experiences. It is: a. the mindset that enables us to transform a supposedly wrong note into a beautiful resolution. b. a skillset that enables us to humbly recognize, reject and replace fixed, rigid, mechanical, formulaic reactions by receiving and applying improvised insights and innovations while integrating intentional, incremental improvements to deliver what is needed in the present moment. c. a collaborative practice that enables us to transform seeming disadvantages into advantages that may be required to keep us alive and thriving. to advantages that may be required to keep us alive and thriving. |
|||||||||||||||||||||||||||||||||||||||||
Q: What is a 'Tiny Orchestral
Moment'? | One Answer: A brief, unpredictable, but reliably priceless moment
when an ordinary, collaborative experience transcends time to
become exceptional and significant. Stars align, insights appear, energies resonate and rise. Individuals
spontaneously morph
into coherent groups and perform unlikely and unplannable feats of
synchronized magic. Improvisations vibrate with timeless inspiration, and
improvisation sounds composed and feels alive. Collaborators synchronize, harmonize and solve problems that, moments earlier, seemed impossible. ize and solve problems that, moments earlier, seemed impossible. |
|||||||||||||||||||||||||||||||||||||||||
Event History | FB | SeaProg Photos June 2018 | RChain Performance Photos Feb 2018 | TOM III | TOM IV | TOM V | ||||||||||||||||||||||||||||||||||||||||||
back to top |